| 介绍 |  
 ◎译  名 伴我同业 / 站在我这边(台) / 与我常在 / 同仇人忾
 ◎片  名 Stand by Me
 ◎年  代 1986
 ◎产  地 美国
 ◎类  别 剧情 / 儿童 / 冒险
 ◎语  言 英语
 ◎上映日期 1986-08-08(美国)
 ◎IMDb评星  ★★★★★★★★☆☆
 ◎IMDb评分  8.1/10 from 412,339 users
 ◎IMDb链接  https://www.imdb.com/title/tt0092005/
 ◎豆瓣评星 ★★★★✦
 ◎豆瓣评分 8.9/10 from 107,246 users
 ◎豆瓣链接 https://movie.douban.com/subject/1292925/
 ◎片  长 89分钟
 ◎导  演 罗伯·莱纳 / Rob Reiner
 ◎演  员 瑞凡·菲尼克斯 / River Phoenix | 饰 Chris Chambers
 威尔·惠顿 / Wil Wheaton | 饰 Gordie Lachance
 科里·费尔德曼 / Corey Feldman | 饰 Teddy Duchamp
 杰瑞·奥康奈尔 / Jerry O\'Connell | 饰 Vern Tessio
 约翰·库萨克 / John Cusack | 饰 Denny Lachance
 理查德·德莱福斯 / Richard Dreyfuss | 饰 The Writer
 基弗·萨瑟兰 / Kiefer Sutherland | 饰 Ace Merrill
 布鲁斯·柯比 / Bruce Kirby | 饰 Mr. Quidacioluo
 弗兰西斯·李·麦克凯恩 / Frances Lee McCain | 饰 Mrs. Lachance
 马绍尔·贝尔 / Marshall Bell | 饰 Mr. Lachance
 布拉德利·格雷格 / Bradley Gregg | 饰 Eyeball Chambers
 加里·莱利 / Gary Riley | 饰 Charlie Hogan
 凯西·希玛兹科 / Casey Siemaszko | 饰 Billy Tessio
 杰森·奥利弗 / Jason Oliver | 饰 Vince Desjardins
 ◎编  剧 雷纳尔多·吉迪恩 / Raynold Gideon
 布鲁斯·A·埃文斯 / Bruce A. Evans
 斯蒂芬·金 / Stephen King
 ◎制  片  人 雷纳尔多·吉迪恩 / Raynold Gideon
 安德鲁·沙因曼 / Andrew Scheinman
 ◎音  乐 杰克·尼切 / Jack Nitzsche
 ◎剪  辑 罗伯特·利顿 / Robert Leighton
 ◎选  角 珍妮特·希尔森 / Janet Hirshenson
 ◎美  术 J·丹尼斯·华盛顿 / J. Dennis Washington
 Richard D. Kent Richard D. Kent
 ◎化  妆 Cheri Ruff Cheri Ruff
 ◎副  导  演 厄比·史姑娘 / Irby Smith
 ◎视觉殊效 威廉·梅萨 / William Mesa
 David Stump David Stump
 Tim Donahue Tim Donahue
 ◎简  介
 这是一部关于长大的电影。著名作家戈迪(理查德•德莱福斯 Richard Dreyfuss 饰)回忆起他12岁时的一次冒险活动:那时,年少的戈迪(威尔•惠顿 Wil Wheaton 饰)与他的三个小伙伴克里斯(瑞凡•菲尼克斯 River Phoenix 饰)、泰迪(科里•费尔德曼 Corey Feldman 饰)和维恩为了当一回“豪杰”去河的对岸的森林里寻觅一具12岁男孩的尸身。
 4个少年家庭各有题目,他们都有自己的苦衷。在旅程中每小我的性情都被表现得淋漓尽致:四个男孩性情中的脆弱和顽强,在闪火车,翻铁门,越森林等一系列的行动中被最大限度的放大;每小我都有自己可望而不成及的胡想……
 1987年金球奖最好电影、最好导演提名,1987年奥斯卡奖最好编剧提名
 ◎获奖情况
 第59届奥斯卡金像奖 (1987)
 最好改编剧本(提名) 布鲁斯·A·埃文斯,雷纳尔多·吉迪恩
 ◎台词金句
 Gordie: Fuck writing, I don\'t want to be a writer. It\'s stupid, it\'s a stupid waste of time.
 Chris: That\'s your dad talking.
 Gordie: Bullshit.
 Chris: Bull true.
 戈帝:去他妈的写作,我不想看成家,太傻了,就是他妈的浪费时候。
 克瑞斯:那是你爸爸的说法。
 戈帝:乱说。
 克瑞斯:说的不错。
 Vern: This isn\'t funny. What am I supposed to eat?
 Teddy: Why don\'t you cook your dick?
 Chris: It\'d be a small meal!
 韦恩:一点都不成笑,我吃什么啊?
 泰迪:你为什么不把你的鸡鸡烤了?
 克瑞斯:太小了,不够吃。
 Vern: Nothing like a smoke after a meal!
 Teddy: Yeah... I cherish these moments!
 Teddy: What? What did I say?
 韦恩:饭后一支烟,赛似活仙人!
 泰迪:是啊,我顾惜这一刻。
 泰迪:什么?我说什么了?
 Vern: I wasn\'t that scared. I wasn\'t. Sincerely.
 Gordie: Okay then you won\'t mind if we check the seat of your jockies for Hershey squirts, will you?
 Vern: Go screw.
 韦恩:我没惧怕,没惧怕,真的。
 戈帝:好吧,你如果不介意的话,让我们瞧瞧你能否是尿了裤子了?\'
 韦恩:滚你的吧。
 Gordie: Do you think I\'m weird?
 Chris: Definitely.
 Gordie: No man, seriously. Am I weird?
 Chris: Yeah, but so what? Everybody\'s weird.
 Gordie: 你以为我很怪么?
 Chris: 明显是的。
 Gordie: 好了伙计,我是认真的,我很怪么?
 Chris: 是的,但那又若何?大家都很怪。
 ◎幕后揭秘
 【关于电影】四个年轻的孩子,勤学认真的戈帝,粗鲁顽强的克瑞斯,滑稽可笑的泰迪,还有敏感懦弱的韦恩,决议沿着铁路走进森林,寻觅一具尸身。旅程的初步是愉快的,依照韦恩的说法“确切是爽呆了!”可是,随着观光深入,几个孩子心里懦弱的一面逐步显现,随之而来的即是惊骇和忙乱,看来,长大确切不是一件轻易的工作。“大部分关于孩子的故事,好的故事,都触及到了观光,”史蒂芬·金说,“就像《站在我身旁》中的铁路之旅一样。”大部分斯蒂芬·金的故事,特别是有孩子卷入的故事,一般都是关于这些懦弱的心灵若何长大,大概是年少阴影对成年生活酿成的糟糕影响。斯蒂芬金的故事是黑暗的,并不使人愉快,雷恩保存了这一点,他在电影中严厉控诉了成年人对孩子的漠不关心和孩子们不能不承当做人义务的究竟。“你只是个孩子,戈帝。”克瑞斯告诉他的朋友,但是,对他们来说,回家不再是一个暖和的概念——这是每个孩子都向往的。某种水平上来说,几个孩子对成人天下复杂性的认识是这部电影的焦点。在电影中,四个孩子都实在履历了这类感情上的阵痛。对戈帝来说,这能够显得尤其实在,很多年以后,他回首往事,意想到这是他人生中最重要的一课:他从他的朋友身上获得了气力,体验到了一样的疾苦。电影并没有对这几个孩子施以怜悯,相反,雷恩让他们间接去面临这些疾苦,决不堕入廉价的感慨。雷恩很熟悉这几个孩子的特征,大白他们的困惑。比如戈帝,他忍受着怙恃的漠视,这类漠视来自与怙恃对哥哥灭亡事务的有力。克瑞斯情况类似,他是一个顽强的家伙,来自一个饱受威权控制的糟糕家庭。虽然他把偷的钱还给了教员,可是还是不能不背负偷盗的恶名,这一切,都是家庭给他酿成的扑灭性冲击。当克瑞斯向戈帝反悔时,电影论述静静发生了改变:克瑞斯解体了,而戈帝,这个更情感化的脚色居然变得冷静起来。这是真是使人疾苦的一幕。雷恩说:“这里融入了我自己的经历。”他把自己对斯蒂芬·金小说的了解和小我经历融合起来,把戈帝塑形成了电影中的豪杰,这和小说的原意稍有分歧,在小说中戈帝只是一个旁观者,是一个悲凉的豪杰。雷恩已经说过,这是一部关于孩子的电影,孩子自我感受欠好,可是又没法从怙恃那边获得认同,因而他们不能不转向朋友追求抚慰。这类抚慰是很是重要,由于看到戈帝在电影的结尾安静的样子,一切人城市为他感应兴奋,究竟,他刚刚履历了人生中最重要的一课。【关于导演】罗伯·雷恩1947年诞生于纽约,父亲是鼎鼎台甫的卡尔·雷恩,拍摄了很多笑剧故事片,最著名确当属《宝贝母子》和《大笨蛋》。罗伯·雷恩的奇迹起步于演员,他最著名的脚色是美国番笕剧《百口福》中的迈克尔,迈克尔是一个不太光彩的傻瓜和种族主义者。是以,从一路头,雷恩的导演之路就与众分歧:他对演员很好,同时对表演很在意;他对笑剧和嘲讽了解很深,对作品的时候与结构把握也很好;他有很强的自在主义和人文主义偏向。作为一个笑剧演员,雷恩获得了很邃密的观察才能,可是悲观影响一样不成避免:他的作品似乎一向摆脱不了模仿的痕迹。这意味着,不管他的电影何等的成功,他也不能被列入艺术家的行列。可是,雷恩的恳切是不言而喻的,他并不躲避自己的模仿和缺少自我认识,而是至心诚意地要为观众讲好故事。很有能够,雷恩未来不成能成为像伍迪·艾伦,大卫·芬奇那样巨大的导演,可是,这丝绝不影响普通观众对他的酷爱,由于他充足谦虚,充足恳切。【电影关键词】·寻尸:不但是四个孩子还有一群年龄更大的混混,把“寻尸”视为一种豪杰行为,一种获得社会认可的行为,这意味这他们都需要摆脱某种窘境。·铁路和森林:布满未知危险的旅程,不外,把他们看做孩子们心里的疏离和抵挡似乎更合适,每个孩子似乎都有过一样的出走感动。·哥哥:对于戈帝来说,他的哥哥才是他的父亲,才是可以倾听他诉说的好友。他的怙恃只是一面冰冷的墙,一向都是,不管在戈帝的哥哥死前还是死后。假如戈帝的哥哥也是一面墙的话会怎样样?很难设想,不外这必定会是一部更加可骇的电影。·抽泣:电影中的“抽泣”是很是重要的线索,整部电影中四个男孩都在某个时候哭了出来。首先,“抽泣”意味着这些男孩堕入了某种窘境,而且不愿长大和进入另一个天下。“抽泣”还意味这几个男孩都由于某种外在的缘由被“拒绝”,非论是家庭还是社会,总之,他们感应孤独和失望。·吃Pie大赛:很希奇的报复方式,对于观众来说,这极能够具有某种超现实主义色彩,但对于孩子来说,这是实在的。面临压服性的内部天下的欺侮,作为弱者的孩子不成能依照成人法则做出还击,只能用“吐逆”对他们来说最有用的方式展开匹敌。
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Menu
00:00:00.000 : en:Chapter 01
00:06:29.889 : en:Chapter 02
00:14:10.349 : en:Chapter 03
00:16:57.016 : en:Chapter 04
00:24:40.645 : en:Chapter 05
00:31:52.911 : en:Chapter 06
00:36:31.522 : en:Chapter 07
00:42:05.314 : en:Chapter 08
00:52:43.451 : en:Chapter 09
00:59:29.941 : en:Chapter 10
01:03:13.456 : en:Chapter 11
01:07:35.676 : en:Chapter 12
01:09:55.816 : en:Chapter 13
01:14:19.496 : en:Chapter 14
01:19:13.999 : en:Chapter 15
01:22:19.684 : en:Chapter 16
 
  
  
  
 
 
 
 
 
 
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